{"id":1204,"date":"2021-02-12T10:30:14","date_gmt":"2021-02-12T16:30:14","guid":{"rendered":"http:\/\/www.biblionalia.info\/leah\/?page_id=1204"},"modified":"2021-02-12T10:30:15","modified_gmt":"2021-02-12T16:30:15","slug":"8-tang-dynasty-banbi-jacket","status":"publish","type":"page","link":"http:\/\/www.biblionalia.info\/leah\/8-tang-dynasty-banbi-jacket\/","title":{"rendered":"8: Tang Dynasty Banbi (\u534a\u81c2), Jacket"},"content":{"rendered":"\n<p>This information is derived from a larger write-up I did for an A&amp;S Competition entry &#8211;<a href=\"http:\/\/www.biblionalia.info\/leah\/download\/documentation\/Banbiv.2.pdf\"> you can read the final version of that entry in my documentation vault.<\/a> I also made a short video about this project, <a href=\"https:\/\/youtu.be\/cm45GBazkX4\" data-type=\"URL\" data-id=\"https:\/\/youtu.be\/cm45GBazkX4\">which you can view on the Kingdom of Meridies&#8217;s YouTube channel<\/a>.<\/p>\n\n\n\n<p><em>Banbi<\/em> (\u534a\u81c2, <em>b\u0103n-b\u012b<\/em>) means \u201chalf-covered arm\u201d and refers to the short-sleeved jacket that was in style in the earlier half of the Tang Dynasty (Figures 1-9).<sup class='footnote'><a href='#fn-1204-1' id='fnref-1204-1' onclick='return fdfootnote_show(1204)'>1<\/a><\/sup> These garments were worn outside of the shirt, and functioned like a vest,<sup class='footnote'><a href='#fn-1204-2' id='fnref-1204-2' onclick='return fdfootnote_show(1204)'>2<\/a><\/sup> but there are some depictions where the jacket appears to be tucked into the skirt (Figure 3). Like the shirt, the jacket had a front opening that tied with a ribbon (Figure 4).<sup class='footnote'><a href='#fn-1204-3' id='fnref-1204-3' onclick='return fdfootnote_show(1204)'>3<\/a><\/sup> It could be worn either tucked into the skirt or on top of it (Figures 3, 4), and it appears that this move to \u201couter garment\u201d happened in the early 8th century.<sup class='footnote'><a href='#fn-1204-4' id='fnref-1204-4' onclick='return fdfootnote_show(1204)'>4<\/a><\/sup><\/p>\n\n\n\n<p>The <em>banbi<\/em> was first worn by \u201cmaids of honour,\u201d but the fashion trickled down to commoners.<sup class='footnote'><a href='#fn-1204-5' id='fnref-1204-5' onclick='return fdfootnote_show(1204)'>5<\/a><\/sup> Strict families did not allow their women to wear the <em>banbi<\/em> at all, and its popularity declined as a result.<sup class='footnote'><a href='#fn-1204-6' id='fnref-1204-6' onclick='return fdfootnote_show(1204)'>6<\/a><\/sup> The depictions we have of women wearing a <em>banbi<\/em> are all labeled as attendants and serving women, so these families likely did not want to be seen as of a lesser rank. Based on the estimated dates of the figurines and mural paintings (Figures 1-9), the <em>banbi<\/em> was most popular at the end of the 7th and beginnings of the 8th century, though we do have some depictions of the <em>banbi <\/em>from the late 8th century (Figure 9). It is worth noting that as various Tang emperors tried to impose social order via sumptuary laws that banned the production and possession of elaborately woven (<em>jin<\/em>) or embroidered silks, we see the <em>banbi<\/em> in visual art depicted in plainer fabrics before disappearing entirely.<sup class='footnote'><a href='#fn-1204-7' id='fnref-1204-7' onclick='return fdfootnote_show(1204)'>7<\/a><\/sup><\/p>\n\n\n\n<p>Click on the images in galleries to enlarge them.<\/p>\n\n\n\n<figure class=\"is-layout-flex wp-block-gallery-1 wp-block-gallery columns-3 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image23.png\"><img decoding=\"async\" loading=\"lazy\" width=\"478\" height=\"789\" src=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image23.png?resize=478%2C789\" alt=\"\" data-id=\"1206\" data-link=\"http:\/\/www.biblionalia.info\/leah\/?attachment_id=1206\" class=\"wp-image-1206\" srcset=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image23.png?w=478 478w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image23.png?resize=182%2C300 182w\" sizes=\"(max-width: 478px) 85vw, 478px\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\"><br>Figure 1: Detail of <em>Standing Female Attendant <\/em>(Figurine). Late 7th &#8211; early 8th century, China. <a href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/39770\">The Metropolitan Museum of Art<\/a>.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image12-1.png\"><img decoding=\"async\" loading=\"lazy\" width=\"284\" height=\"675\" src=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image12-1.png?resize=284%2C675\" alt=\"\" data-id=\"1207\" data-link=\"http:\/\/www.biblionalia.info\/leah\/?attachment_id=1207\" class=\"wp-image-1207\" srcset=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image12-1.png?w=284 284w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image12-1.png?resize=126%2C300 126w\" sizes=\"(max-width: 284px) 85vw, 284px\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\"><br>Figure 2: Detail of <em>Standing Female Attendant<\/em> (Figurine), Late 7th &#8211; early 8th century, China. <a href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/39761\">The Metropolitan Museum of Art.<\/a><\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image22.png\"><img decoding=\"async\" loading=\"lazy\" width=\"404\" height=\"663\" src=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image22.png?resize=404%2C663\" alt=\"\" data-id=\"1208\" data-link=\"http:\/\/www.biblionalia.info\/leah\/?attachment_id=1208\" class=\"wp-image-1208\" srcset=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image22.png?w=404 404w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image22.png?resize=183%2C300 183w\" sizes=\"(max-width: 404px) 85vw, 404px\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\"><br>Figure 3: Detail of a wooden figurine found in the tomb of Zhang Xiong (d. 633) and Lady Qu (d. 688), Astana Cemetery, wearing a polychrome <em>jin<\/em> silk jacket woven to scale and tucked into a silk tapestry belt. <sup class='footnote'><a href='#fn-1204-8' id='fnref-1204-8' onclick='return fdfootnote_show(1204)'>8<\/a><\/sup><\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image27.png\"><img decoding=\"async\" loading=\"lazy\" width=\"635\" height=\"841\" src=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image27.png?resize=635%2C841\" alt=\"\" data-id=\"1209\" data-link=\"http:\/\/www.biblionalia.info\/leah\/?attachment_id=1209\" class=\"wp-image-1209\" srcset=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image27.png?w=635 635w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image27.png?resize=227%2C300 227w\" sizes=\"(max-width: 635px) 85vw, 635px\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\"><br>Figure 4: Detail of a mural painting of a dancer wearing a <em>banbi<\/em> outside of her skirt, from the tomb of Zhang Lichen (655-702), <a href=\"https:\/\/en.wikipedia.org\/wiki\/File:Anonymous-Astana_Graves_Dancer.jpg\">Astana Cemetery.<\/a><\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image36.png\"><img decoding=\"async\" loading=\"lazy\" width=\"840\" height=\"382\" src=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image36.png?resize=840%2C382\" alt=\"\" data-id=\"1210\" data-link=\"http:\/\/www.biblionalia.info\/leah\/?attachment_id=1210\" class=\"wp-image-1210\" srcset=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image36.png?w=987 987w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image36.png?resize=300%2C136 300w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image36.png?resize=768%2C349 768w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\"><br>Figure 5: Detail from F<em>emale Palace Attendants <\/em>[Mural], from the tomb of Princess Yongtai (\u6c38\u6cf0\u516c\u4e3b, d. 701), <a href=\"http:\/\/masterpieces.asemus.museum\/masterpiece\/detail.nhn?objectId=11389\">Shaanxi Museum, Xi\u2019an, Shaanxi, China<\/a>. These attendants are wearing their <em>banbi<\/em> outside their skirts, with the ties visible.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image18-1024x765.png\"><img decoding=\"async\" loading=\"lazy\" width=\"840\" height=\"628\" src=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image18.png?resize=840%2C628\" alt=\"\" data-id=\"1211\" data-link=\"http:\/\/www.biblionalia.info\/leah\/?attachment_id=1211\" class=\"wp-image-1211\" srcset=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image18.png?resize=1024%2C765 1024w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image18.png?resize=300%2C224 300w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image18.png?resize=768%2C574 768w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image18.png?w=1055 1055w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\"><br>Figure 6: Female entertainers in a mural on the north wall of the Tomb of Prince Li Xian, dated 742 C.E. The wider sleeves of the <em>banbi<\/em> can be seen beneath the drape of the <em>pibo<\/em> (shawl).<sup class='footnote'><a href='#fn-1204-9' id='fnref-1204-9' onclick='return fdfootnote_show(1204)'>9<\/a><\/sup><\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image28.png\"><img decoding=\"async\" loading=\"lazy\" width=\"511\" height=\"903\" src=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image28.png?resize=511%2C903\" alt=\"\" data-id=\"1212\" data-link=\"http:\/\/www.biblionalia.info\/leah\/?attachment_id=1212\" class=\"wp-image-1212\" srcset=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image28.png?w=511 511w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image28.png?resize=170%2C300 170w\" sizes=\"(max-width: 511px) 85vw, 511px\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\"><br>Figure 7: Figure of a woman holding a bird and wearing a <em>banbi<\/em> over her skirt, dated to the early 8th century. <a href=\"https:\/\/asia.si.edu\/object\/F2001.8a-d\/\">Freer Slacker Gallery<\/a>. The sancai (\u201cthree colors\u201d) glaze pattern on the jacket suggests a polychrome silk.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image34.png\"><img decoding=\"async\" loading=\"lazy\" width=\"260\" height=\"694\" src=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image34.png?resize=260%2C694\" alt=\"\" data-id=\"1213\" data-link=\"http:\/\/www.biblionalia.info\/leah\/?attachment_id=1213\" class=\"wp-image-1213\" srcset=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image34.png?w=260 260w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image34.png?resize=112%2C300 112w\" sizes=\"(max-width: 260px) 85vw, 260px\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\"><br>Figure 8: Figurine of female attendant, wearing a <em>banbi<\/em> tucked into a striped skirt with a patterned belt or waistband and with a blue <em>pibo<\/em> (shawl), from the Tomb of Zhen Rentai (a military commander), dated 664 C.E. <sup class='footnote'><a href='#fn-1204-10' id='fnref-1204-10' onclick='return fdfootnote_show(1204)'>10<\/a><\/sup><\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image17.png\"><img decoding=\"async\" loading=\"lazy\" width=\"327\" height=\"639\" src=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image17.png?resize=327%2C639\" alt=\"\" data-id=\"1214\" data-full-url=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image17.png?resize=327%2C639\" data-link=\"http:\/\/www.biblionalia.info\/leah\/?attachment_id=1214\" class=\"wp-image-1214\" srcset=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image17.png?w=327 327w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/05\/image17.png?resize=154%2C300 154w\" sizes=\"(max-width: 327px) 85vw, 327px\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\"><br>Figure 9: Female attendant from a mural on the tunnel\u2019s east wall, the Wei Family Tomb, dated to the late 8th century.<sup class='footnote'><a href='#fn-1204-11' id='fnref-1204-11' onclick='return fdfootnote_show(1204)'>11<\/a><\/sup> Her <em>banbi<\/em>, like her <em>ru<\/em>, has very wide sleeves and is worn tucked into her skirt. <\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<a class=\"mwm-aal-item\" name=\"extant-garments\"><\/a><h2>Extant Garments<\/h2>\n\n\n\n<figure class=\"is-layout-flex wp-block-gallery-3 wp-block-gallery columns-2 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig10-1024x693.png\"><img decoding=\"async\" loading=\"lazy\" width=\"840\" height=\"568\" src=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig10.png?resize=840%2C568\" alt=\"\" data-id=\"1249\" data-link=\"http:\/\/www.biblionalia.info\/leah\/?attachment_id=1249\" class=\"wp-image-1249\" srcset=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig10.png?resize=1024%2C693 1024w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig10.png?resize=300%2C203 300w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig10.png?resize=768%2C520 768w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig10.png?resize=1536%2C1040 1536w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig10.png?resize=1200%2C812 1200w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig10.png?w=1999 1999w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig10.png?w=1680 1680w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Figure 10: Yuan Dynasty twill damask silk patterned with flowers and birds, from the family tomb group of Wang Shixian, Zhang County, Gansu Province (northwestern China).<sup class='footnote'><a href='#fn-1204-12' id='fnref-1204-12' onclick='return fdfootnote_show(1204)'>12<\/a><\/sup><\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig11.png\"><img decoding=\"async\" loading=\"lazy\" width=\"840\" height=\"499\" src=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig11.png?resize=840%2C499\" alt=\"\" data-id=\"1251\" data-link=\"http:\/\/www.biblionalia.info\/leah\/?attachment_id=1251\" class=\"wp-image-1251\" srcset=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig11.png?w=914 914w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig11.png?resize=300%2C178 300w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig11.png?resize=768%2C456 768w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Figure 11: Half-sleeve vest with a printed gold pattern recovered from the ruins of the city of Jininglu, typical of Jin\/Yuan Dynasty textiles popular with Mongol nobility.<sup class='footnote'><a href='#fn-1204-13' id='fnref-1204-13' onclick='return fdfootnote_show(1204)'>13<\/a><\/sup><\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig12.png\"><img decoding=\"async\" loading=\"lazy\" width=\"840\" height=\"494\" src=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig12.png?resize=840%2C494\" alt=\"\" data-id=\"1252\" data-link=\"http:\/\/www.biblionalia.info\/leah\/?attachment_id=1252\" class=\"wp-image-1252\" srcset=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig12.png?w=993 993w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig12.png?resize=300%2C176 300w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig12.png?resize=768%2C452 768w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Figure 12: Embroidered silk jacket resembling a <em>banbi<\/em> dating from the late 13th-early 14th century, excavated from Jininglu, Inner Mongolia.<sup class='footnote'><a href='#fn-1204-14' id='fnref-1204-14' onclick='return fdfootnote_show(1204)'>14<\/a><\/sup><\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig13.png\"><img decoding=\"async\" loading=\"lazy\" width=\"800\" height=\"638\" src=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig13.png?resize=800%2C638\" alt=\"\" data-id=\"1254\" data-link=\"http:\/\/www.biblionalia.info\/leah\/?attachment_id=1254\" class=\"wp-image-1254\" srcset=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig13.png?w=800 800w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig13.png?resize=300%2C239 300w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig13.png?resize=768%2C612 768w\" sizes=\"(max-width: 800px) 85vw, 800px\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Figure 13: <em>Hanpi<\/em> (sleeveless coat) of bast-fiber cloth in the <a href=\"http:\/\/shosoin.kunaicho.go.jp\/en-US\/Treasure?id=0000012786\">Sh\u014ds\u014din Repository<\/a>.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig14.png\"><img decoding=\"async\" loading=\"lazy\" width=\"840\" height=\"404\" src=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig14.png?resize=840%2C404\" alt=\"\" data-id=\"1255\" data-link=\"http:\/\/www.biblionalia.info\/leah\/?attachment_id=1255\" class=\"wp-image-1255\" srcset=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig14.png?w=900 900w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig14.png?resize=300%2C144 300w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2020\/08\/fig14.png?resize=768%2C369 768w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Figure 14: Northern Dynasties lined shirt made of plain-weave silk and with tie-dyed pattern of small dots. <a href=\"http:\/\/www.chinasilkmuseum.com\/zggd\/info_21.aspx?itemid=1815\">China National Silk Museum<\/a>.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/01\/image24.png\"><img decoding=\"async\" loading=\"lazy\" width=\"393\" height=\"655\" src=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/01\/image24.png?resize=393%2C655\" alt=\"\" data-id=\"1371\" data-link=\"http:\/\/www.biblionalia.info\/leah\/?attachment_id=1371\" class=\"wp-image-1371\" srcset=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/01\/image24.png?w=393 393w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/01\/image24.png?resize=180%2C300 180w\" sizes=\"(max-width: 393px) 85vw, 393px\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Figure 15: Fragment of polychrome <em>jin<\/em> fabric (Tang Dynasty) found in Astana Cemetery tomb 206, Astana, Turfan, Xinjiang. Housed at the Xinjiang Uygur Autonomous Region Museum, Urumqi. The cut of the fabric implies it is a fragment of a doll-sized&nbsp; <em>banbi <\/em>or <em>ru <\/em>(shirt).<br><sup class='footnote'><a href='#fn-1204-15' id='fnref-1204-15' onclick='return fdfootnote_show(1204)'>15<\/a><\/sup><\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/01\/image9.png\"><img decoding=\"async\" loading=\"lazy\" width=\"613\" height=\"321\" src=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/01\/image9.png?resize=613%2C321\" alt=\"\" data-id=\"1372\" data-full-url=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/01\/image9.png?resize=613%2C321\" data-link=\"http:\/\/www.biblionalia.info\/leah\/?attachment_id=1372\" class=\"wp-image-1372\" srcset=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/01\/image9.png?w=613 613w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/01\/image9.png?resize=300%2C157 300w\" sizes=\"(max-width: 613px) 85vw, 613px\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Figure 16: Miniature<em> banbi<\/em> made of silk gauze and embroidered with gold threads, measuring 14.1 centimeters from sleeve to sleeve. It was found in a box with a statue of a Bodhisattva and labeled with the year 871. Housed in the Famen Temple Museum, Shaanxi.[Lin, C. (2006). The lotus motif on textiles from Famen Temple. In R. Schorta &amp; A. D. H. Bivar (Eds.),&nbsp; <em>Central Asian textiles and their contexts in the early Middle Ages <\/em>(pp. 147-188).<br> p. 151.]<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>There is a  short-sleeved jacket from the Yuan Dynasty in the Gansu Provincial Museum (Figure 10) which may be a descendent of the Tang Dynasty\u2019s <em>banbi<\/em>. There are visible seams just past the sharp curve of the armpit, and the garment is lined with a center back seam. There are no ties or visible evidence of previous ties. It is 63 centimeters long and has an arm-span of 115 centimeters.<sup class='footnote'><a href='#fn-1204-16' id='fnref-1204-16' onclick='return fdfootnote_show(1204)'>16<\/a><\/sup>. (Yuan Dynasty). Gansu Provincial Museum, China. Retrieved from: <a href=\"http:\/\/www.gansumuseum.com\/dc\/show-221.html\">http:\/\/www.gansumuseum.com\/dc\/show-221.html<\/a>]\n\n\n\n<p>The <em>banbi<\/em> may have either influenced or been influenced by clothing worn by the Mongols; an entire mode of dress, called <em>hufu<\/em> (foreign clothing) was popular during the Tang Dynasty to the degree that there are an ample number of tomb figurines and paintings of women wearing such garments. Halbertsma-Herold (2008) points to three garments from Inner Mongolia that are similar to the <em>banbi<\/em> (Figures 11 and 12).<sup class='footnote'><a href='#fn-1204-17' id='fnref-1204-17' onclick='return fdfootnote_show(1204)'>17<\/a><\/sup> Unlike Mongol garments that feature a cross-collar design, these jackets have a parallel collar and either visible or the suggestion of previous ties. The longer versions of short-sleeved coats that Halbertsma-Herold presents in artwork all have crossed collars. Both garments are lined and feature a center back seam. The lining in both garments may have shifted over time, resulting in it being visible beneath the hem of the outer fabric.<\/p>\n\n\n\n<p>While there are several short-sleeved upper garments (<em>hanpi<\/em>) in the Sh\u014ds\u014din Repository, these are men\u2019s garments and neither serve the same purpose nor have the same stylistic features of the women\u2019s <em>banbi<\/em>. Instead of the garment edges meeting in the middle in the front, the <em>hanpi <\/em>garments have a small overlapping piece stitched to the left edge and onto which the collar is extended to form a tie (Figure 13). The <em>hanpi<\/em> is a men\u2019s undergarment,<sup class='footnote'><a href='#fn-1204-18' id='fnref-1204-18' onclick='return fdfootnote_show(1204)'>18<\/a><\/sup> while the <em>banbi <\/em>was outerwear. Based on the figurines, paintings, and miniature extants, I concluded that the <em>banbi<\/em>\u2019s construction was closer in similarity to a <em>ru<\/em> (\u8966, shirt) than the Japanese <em>hanpi<\/em>. Like the <em>banbi<\/em>, the <em>ru <\/em>has a straight, open collar, a slight curve at the underarm, and ties in the front. I based my <em>banbi<\/em> pattern on my <em>ru<\/em> pattern, which I designed for a fabric width of 24 inches, which was the standard fabric width during the Tang Dynasty.<sup class='footnote'><a href='#fn-1204-19' id='fnref-1204-19' onclick='return fdfootnote_show(1204)'>19<\/a><\/sup> Because the <em>banbi <\/em>is a short-sleeved garment, no additional material is necessary to extend the sleeve length. As it is, the sleeve cuff of my <em>banbi<\/em> sits at my elbow, which corresponds with period artwork (Figures 4 and 9). The length of a <em>banbi<\/em> varied, but a few inches past one&#8217;s natural waist should allow for one <em>banbi<\/em> to be worn either tucked in or outside the skirt.<\/p>\n\n\n\n<p>The shirt is fairly straightforward, being very similar to a basic T-Tunic, without under-arm gussets or gores. There are no extant shirts from the Tang Dynasty, so we are limited to period depictions including reliefs, murals, paintings, and tomb figurines, though we can supplement this with extant garments from preceding and succeeding periods. In terms of construction, the shirt likely had a center back seam. The seam in the center back is described in the Book of Rites regarding the proper construction of the <em>shenyi<\/em> (\u6df1\u8863),<sup class='footnote'><a href='#fn-1204-20' id='fnref-1204-20' onclick='return fdfootnote_show(1204)'>20<\/a><\/sup> and can be seen in upper-body extant garments. Given that the standard width of fabric in the Tang Dynasty was approximately 24 inches, a center back seam is necessary to produce an open-front garment that can go all the way around the body. The Shosoin Repository\u2019s <em>hanpi <\/em>collection feature several that have a visible center back seam (Figure 13), and The China National Silk Museum has garments from the Southern Song<sup class='footnote'><a href='#fn-1204-21' id='fnref-1204-21' onclick='return fdfootnote_show(1204)'>21<\/a><\/sup> (1127 &#8211; 1279 C.E.) and Yuan Dynasties<sup class='footnote'><a href='#fn-1204-22' id='fnref-1204-22' onclick='return fdfootnote_show(1204)'>22<\/a><\/sup> (1279 &#8211; 1368 C.E.) with this same construction.&nbsp; The China National Silk Museum has one shirt from the Northern Dynasty (386 &#8211; 580 C.E.) which appears to be lined, and it is difficult to see whether there is a center back seam (Figure 14).<sup class='footnote'><a href='#fn-1204-23' id='fnref-1204-23' onclick='return fdfootnote_show(1204)'>23<\/a><\/sup> It may be that the lining does not have a center back seam and the outer fabric does, though this would be odd considering other lined garments have a visible center back seam in the lining.<\/p>\n\n\n\n<p>The Book of Rites<sup class='footnote'><a href='#fn-1204-24' id='fnref-1204-24' onclick='return fdfootnote_show(1204)'>24<\/a><\/sup> calls for a \u201csquare-shaped collar\u201d for the <em>shenyi<\/em>,<sup class='footnote'><a href='#fn-1204-25' id='fnref-1204-25' onclick='return fdfootnote_show(1204)'>25<\/a><\/sup> but given how the garments appear to rest in statuary, as well as on a figurine wearing cloth garments, I believe the necklines for women\u2019s shirts were curved. I am only aware of one extant upper garment where the side seams are open and the textile is laid flat to show an angled collar, but it is unclear who wore this garment.<sup class='footnote'><a href='#fn-1204-26' id='fnref-1204-26' onclick='return fdfootnote_show(1204)'>26<\/a><\/sup> Though they are usually displayed and photographed flat, it is arguable that extant upper-body garments from preceding and succeeding dynasties, as well as <em>hanpi<\/em> in the Shosoin Repository, have curved necklines. A textile fabric dated to the Tang Dynasty recovered from Astana tomb number 206 that appears to be part of an upper garment (either a shirt or jacket) made for a tomb figurine due to its small size, not unlike the two skirts found in another Astana tomb, looks to have a curved (if slightly) neckline (Figure 15).<sup class='footnote'><a href='#fn-1204-27' id='fnref-1204-27' onclick='return fdfootnote_show(1204)'>27<\/a><\/sup>&nbsp; <a href=\"https:\/\/torguqin.wordpress.com\/2011\/04\/11\/hanfu-curves\/\">Juni L. Yeung translated an article by Hu Jingming<\/a>, originally posted on Baidu Tieba (an online community that is integrated with a Chinese internet search engine), which was posted to the Toronto Guqin Society\u2019s page. The article presents an argument for a curved Ming Dynasty neckline.<sup class='footnote'><a href='#fn-1204-28' id='fnref-1204-28' onclick='return fdfootnote_show(1204)'>28<\/a><\/sup> I have made shirts with both a square neckline and a curved neckline, and I prefer the fit of the latter. From a mathematical perspective, the calculation of pi (\u03c0) was known in China as early as the 3rd century.<sup class='footnote'><a href='#fn-1204-29' id='fnref-1204-29' onclick='return fdfootnote_show(1204)'>29<\/a><\/sup> The miniature garment in Figure 16 also features an undeniably curved neckline.<\/p>\n\n\n\n<p>The majority of Tang Dynasty women\u2019s clothing was secured on the body by means of ties, which is evident in the extant garments we have from preceding and subsequent dynasties (Figure 14) as well as visual art from the period (Figures 2,4,7).<\/p>\n\n\n\n<p>The silk ties\/tapes used as garment closures don\u2019t get much attention in the literature: Zhao Feng mentions them as closures for Liao Dynasty garments, ranging from 1.5-2.5 centimeters in width for upper garments, with wider tapes used for pants and skirts. They are visible on extant garments, as well as in art throughout Chinese history (Figures 4 and 7 are particularly good examples).<\/p>\n\n\n\n<p><a href=\"http:\/\/www.dellacivetta.org\/members\/stella-di-silvestri\/\">Seong Myeong Su Daegam<\/a> suggested I look at <em>Traditional Korean Costume<\/em><sup class='footnote'><a href='#fn-1204-30' id='fnref-1204-30' onclick='return fdfootnote_show(1204)'>30<\/a><\/sup> to get more insight on the way the ties are made and attached to collars. The Tang Dynasty roughly corresponds to the Unified Silla period in Korea, and the majority of the garments in this book are not from that era. This being said, the methods of how to make and attach silk ties are likely very similar to what was used in the 7th-9th century, given the simplicity of ties as a closure method.<\/p>\n\n\n\n<p>The most attention paid to the attachment of silk tapes in <em>Traditional Korean Costume<\/em> is in the description of a <em>jangot<\/em> (cloak-shaped veil), a type of garment that dates to the Joseon Dynasty (1392\u20131897).<sup class='footnote'><a href='#fn-1204-31' id='fnref-1204-31' onclick='return fdfootnote_show(1204)'>31<\/a><\/sup> It describes the wider chest straps as being stitched down to the edge of the finished collar and folded back so that the strap extends out from the garment, then stitched again.<sup class='footnote'><a href='#fn-1204-32' id='fnref-1204-32' onclick='return fdfootnote_show(1204)'>32<\/a><\/sup> This same method is described on a 16th century men\u2019s coat.<sup class='footnote'><a href='#fn-1204-33' id='fnref-1204-33' onclick='return fdfootnote_show(1204)'>33<\/a><\/sup> Details on a men\u2019s vest describe similar bands as attached with a fine hemming stitch.<sup class='footnote'><a href='#fn-1204-34' id='fnref-1204-34' onclick='return fdfootnote_show(1204)'>34<\/a><\/sup> The ties on the various garments vary in width and length, ranging from 1.7 to 2 centimeters wide &#8211; more often, the seam allowance (usually 0.5 centimeters) of the tie attachment is noted rather than the dimensions of the tie. For upper garments, no attention is given to the construction of the ties themselves, though they appear to be made by sewing strips of silk into tubes and pressing them flat, with the narrow edges folded in and finished with an invisible slip\/ladder stitch. Ties for pants and lower undergarments are described as constructed in a variety of ways &#8211; using the selvedge for one side and a rolled hem for the other,<sup class='footnote'><a href='#fn-1204-35' id='fnref-1204-35' onclick='return fdfootnote_show(1204)'>35<\/a><\/sup> a folded seam allowance held together with glue,<sup class='footnote'><a href='#fn-1204-36' id='fnref-1204-36' onclick='return fdfootnote_show(1204)'>36<\/a><\/sup> a rolled and slip-stitched seam allowance on one side and selvedge on the other.<sup class='footnote'><a href='#fn-1204-37' id='fnref-1204-37' onclick='return fdfootnote_show(1204)'>37<\/a><\/sup><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"523\" height=\"548\" src=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/01\/image16.png?resize=523%2C548\" alt=\"\" class=\"wp-image-1373\" srcset=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/01\/image16.png?w=523 523w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/01\/image16.png?resize=286%2C300 286w\" sizes=\"(max-width: 523px) 85vw, 523px\" data-recalc-dims=\"1\" \/><figcaption>Figure 17: \u00a0Detail from <em>Traditional Korean Costume<\/em> showing the tie attachment for the jacket-shaped veil.<sup class='footnote'><a href='#fn-1204-38' id='fnref-1204-38' onclick='return fdfootnote_show(1204)'>38<\/a><\/sup><\/figcaption><\/figure><\/div>\n\n\n\n<a class=\"mwm-aal-item\" name=\"patterning-and-construction\"><\/a><h2>Patterning and Construction<\/h2>\n\n\n\n<p>The <em>banbi<\/em> is constructed similarly to the<em> <a href=\"http:\/\/www.biblionalia.info\/leah\/8-tang-dynasty-ru-%e8%a5%a6-ru-shirt\/\">ru<\/a><\/em><a href=\"http:\/\/www.biblionalia.info\/leah\/8-tang-dynasty-ru-%e8%a5%a6-ru-shirt\/\"> (\u8966, r\u016b), or shirt<\/a>. You can move the collar in the cutting layout, or make it. narrower, in order to extend the sleeves. Alternatively, you can shorten the upper sleeve piece to your desired length. As seen in Figures 1-9, sleeves ranged from cap to elbow-length. <a href=\"http:\/\/www.biblionalia.info\/leah\/8-tang-dynasty-ru-%e8%a5%a6-ru-shirt\/\">Notes for how to draft a <em>ru<\/em> pattern are on the pattern page for that garment<\/a>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image14-1.png\"><img decoding=\"async\" loading=\"lazy\" width=\"840\" height=\"320\" src=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image14-1.png?resize=840%2C320\" alt=\"\" class=\"wp-image-1390\" srcset=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image14-1.png?w=945 945w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image14-1.png?resize=300%2C114 300w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image14-1.png?resize=768%2C293 768w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" data-recalc-dims=\"1\" \/><\/a><figcaption>Figure 18: My pattern and cutting layout for a ru based on a period fabric width of 24&#8243;.<\/figcaption><\/figure>\n\n\n\n<p>Figure 18 is my pattern\/cutting layout for the <em>ru<\/em>. This is for half of the pattern pieces &#8211; it would be mirrored for patterned fabric to accomodate for directional designs. Remember that this garment has no shoulder seam so if your design has a top and bottom, it will be upside down on the back.<\/p>\n\n\n\n<p>Finish the ends of the sleeves with a blind hem stitch before you attach them to the shoulders, finishing the seams as you go. I like use a backstitch, and I <a href=\"https:\/\/youtu.be\/39C_oYPgTpY\" data-type=\"URL\" data-id=\"https:\/\/youtu.be\/39C_oYPgTpY\">flat-fell my seams<\/a> &#8211; we don&#8217;t have definitive information about what kind of seams and seam finishes were used in period.<sup class='footnote'><a href='#fn-1204-39' id='fnref-1204-39' onclick='return fdfootnote_show(1204)'>39<\/a><\/sup>  If you&#8217;re lining your <em>banbi<\/em>, a secondary line of stitches on your seam allowance should be enough. Stitch the center back and side seams. Be careful as you finish the side seams in the curve of the underarm to keep it from getting too bulky &#8211; varying your stitch sizes and trimming your seam allowance will help (Figure 19).<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image21.png\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image21.png?resize=536%2C720\" alt=\"\" class=\"wp-image-1391\" width=\"536\" height=\"720\" srcset=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image21.png?w=714 714w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image21.png?resize=223%2C300 223w\" sizes=\"(max-width: 536px) 85vw, 536px\" data-recalc-dims=\"1\" \/><\/a><figcaption>Figure 19: I lost a fair amount weight halfway through this project, so I had to restitch and recut my side seams. This image shows the curve of the underarm.<\/figcaption><\/figure><\/div>\n\n\n\n<p>The collar consists of a single, straight piece of fabric that is 3 inches wide. To attach the collar, stitch it to the outside of the <em>banbi<\/em>, then fold it over and press it, then press up the inner edge and stitched it to the inside of the garment using an invisible stitch, like a blind hem stitch (Figures 20-21).<\/p>\n\n\n\n<figure class=\"is-layout-flex wp-block-gallery-5 wp-block-gallery columns-2 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image15.png\"><img decoding=\"async\" loading=\"lazy\" width=\"720\" height=\"960\" src=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image15.png?resize=720%2C960\" alt=\"\" data-id=\"1392\" data-link=\"http:\/\/www.biblionalia.info\/leah\/?attachment_id=1392\" class=\"wp-image-1392\" srcset=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image15.png?w=720 720w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image15.png?resize=225%2C300 225w\" sizes=\"(max-width: 720px) 85vw, 720px\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Figure 20: The outside of the collar is pinned, right-sides together, to the banbi and ready for stitching.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image29.png\"><img decoding=\"async\" loading=\"lazy\" width=\"840\" height=\"630\" src=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image29.png?resize=840%2C630\" alt=\"\" data-id=\"1393\" data-full-url=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image29.png?resize=840%2C630\" data-link=\"http:\/\/www.biblionalia.info\/leah\/?attachment_id=1393\" class=\"wp-image-1393\" srcset=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image29.png?w=960 960w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image29.png?resize=300%2C225 300w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image29.png?resize=768%2C576 768w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Figure 21: Inner edge of the collar is pressed and pinned. This is during my refitting process, so the side seams are open.<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>To make ties for your <em>banbi<\/em> measure out strips 6 centimeters wide and 54 centimeters long (for ties that are 2 centimeters wide and 53 centimeters long when finished). Fold and press the strips, then stitch them with an approximately 0.5 centimeter seam allowance (Figure 22). Turn the ties and fold in the narrow sides 0.5 centimeters and close the tubes with a slip stitch.<\/p>\n\n\n\n<p>Attach the ties to the inside of the collar with a backstitch and a 0.5 centimeter seam allowance with the tie pointed toward the inside of the garment, fold them back, and top-stitch them with a running stitch and another 0.5 centimeter seam allowance (Figures 23-25). <\/p>\n\n\n\n<figure class=\"is-layout-flex wp-block-gallery-7 wp-block-gallery columns-3 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image7-1024x768.png\"><img decoding=\"async\" loading=\"lazy\" width=\"840\" height=\"630\" src=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image7.png?resize=840%2C630\" alt=\"\" data-id=\"1394\" data-link=\"http:\/\/www.biblionalia.info\/leah\/?attachment_id=1394\" class=\"wp-image-1394\" srcset=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image7.png?resize=1024%2C768 1024w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image7.png?resize=300%2C225 300w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image7.png?resize=768%2C576 768w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image7.png?resize=1200%2C900 1200w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image7.png?w=1204 1204w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Figure 22: Stitching the ties into tubes.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image37-1024x768.png\"><img decoding=\"async\" loading=\"lazy\" width=\"840\" height=\"630\" src=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image37.png?resize=840%2C630\" alt=\"\" data-id=\"1397\" data-link=\"http:\/\/www.biblionalia.info\/leah\/?attachment_id=1397\" class=\"wp-image-1397\" srcset=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image37.png?resize=1024%2C768 1024w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image37.png?resize=300%2C225 300w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image37.png?resize=768%2C576 768w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image37.png?w=1130 1130w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Figure 23: Ties pinned to the inside of the collar band.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image20-1.png\"><img decoding=\"async\" loading=\"lazy\" width=\"605\" height=\"806\" src=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image20-1.png?resize=605%2C806\" alt=\"\" data-id=\"1398\" data-link=\"http:\/\/www.biblionalia.info\/leah\/?attachment_id=1398\" class=\"wp-image-1398\" srcset=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image20-1.png?w=605 605w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image20-1.png?resize=225%2C300 225w\" sizes=\"(max-width: 605px) 85vw, 605px\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Figure 24: Finished tie from the right side<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image4-1.png\"><img decoding=\"async\" loading=\"lazy\" width=\"605\" height=\"806\" src=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image4-1.png?resize=605%2C806\" alt=\"\" data-id=\"1399\" data-link=\"http:\/\/www.biblionalia.info\/leah\/?attachment_id=1399\" class=\"wp-image-1399\" srcset=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image4-1.png?w=605 605w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image4-1.png?resize=225%2C300 225w\" sizes=\"(max-width: 605px) 85vw, 605px\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Figure 25: Finished tie from the wrong side.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image2.png\"><img decoding=\"async\" loading=\"lazy\" width=\"677\" height=\"903\" src=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image2.png?resize=677%2C903\" alt=\"\" data-id=\"1400\" data-full-url=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image2.png?resize=677%2C903\" data-link=\"http:\/\/www.biblionalia.info\/leah\/?attachment_id=1400\" class=\"wp-image-1400\" srcset=\"https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image2.png?w=677 677w, https:\/\/i0.wp.com\/www.biblionalia.info\/leah\/wp-content\/uploads\/2021\/02\/image2.png?resize=225%2C300 225w\" sizes=\"(max-width: 677px) 85vw, 677px\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Figure 26: Modeling the finished banbi.<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Congratulations! You now have a lovely piece of outerwear for your early Tang Dynasty wardrobe.<br><\/p>\n\n\n<div class='footnotes' id='footnotes-1204'><div class='footnotedivider'><\/div><ol><li id='fn-1204-1'> Zhou, X. &amp; Gao, C. (1987). p.77. <span class='footnotereverse'><a href='#fnref-1204-1'>&#8617;<\/a><\/span><\/li><li id='fn-1204-2'> Hua, M. (2011). p. 32. <span class='footnotereverse'><a href='#fnref-1204-2'>&#8617;<\/a><\/span><\/li><li id='fn-1204-3'> Chen, B. (2013). pp. 93-94. <span class='footnotereverse'><a href='#fnref-1204-3'>&#8617;<\/a><\/span><\/li><li id='fn-1204-4'> Chen, B. (2013). p. 106. <span class='footnotereverse'><a href='#fnref-1204-4'>&#8617;<\/a><\/span><\/li><li id='fn-1204-5'> <em>Ibid, <\/em>p. 77. <span class='footnotereverse'><a href='#fnref-1204-5'>&#8617;<\/a><\/span><\/li><li id='fn-1204-6'> <em>Ibid<\/em>. <span class='footnotereverse'><a href='#fnref-1204-6'>&#8617;<\/a><\/span><\/li><li id='fn-1204-7'> Chen, B. (2019). P. 59. <span class='footnotereverse'><a href='#fnref-1204-7'>&#8617;<\/a><\/span><\/li><li id='fn-1204-8'> Watt, J. C. Y., Jiayao, A., Howard, A. F., Marshak, B. I. Su, B., Zhao, F. (2004). pp. 288-289. <span class='footnotereverse'><a href='#fnref-1204-8'>&#8617;<\/a><\/span><\/li><li id='fn-1204-9'> Chen, B. (2013). p. 111 <span class='footnotereverse'><a href='#fnref-1204-9'>&#8617;<\/a><\/span><\/li><li id='fn-1204-10'> Chen, B. (2013). p. 94 <span class='footnotereverse'><a href='#fnref-1204-10'>&#8617;<\/a><\/span><\/li><li id='fn-1204-11'>  <em>Ibid<\/em>. p. 117. <span class='footnotereverse'><a href='#fnref-1204-11'>&#8617;<\/a><\/span><\/li><li id='fn-1204-12'> \u201c\u5986\u82b1\u51e4\u620f\u7261\u4e39\u7eb9\u7eeb\u5939\u886b.\u201d (Silk twill damask phoenix peony patterned jacket). (Yuan Dynasty). <a href=\"http:\/\/www.gansumuseum.com\/dc\/viewall-221.html\">Gansu Provincial Museum, China<\/a>.  <span class='footnotereverse'><a href='#fnref-1204-12'>&#8617;<\/a><\/span><\/li><li id='fn-1204-13'> Kessler, A. T. (1993). <em>Empires beyond the Great Wall: the heritage of Genghis Khan. <\/em>Los Angeles, CA: Natural History Museum of Los Angeles County. pp. 160, 163 <span class='footnotereverse'><a href='#fnref-1204-13'>&#8617;<\/a><\/span><\/li><li id='fn-1204-14'> Chung, Y. Y. (2005). <em>Silken threads: a history of embroidery in China, Korea, Japan, and Vietnam<\/em>. New York: Harry N. Abrams.<br> p. 105 <span class='footnotereverse'><a href='#fnref-1204-14'>&#8617;<\/a><\/span><\/li><li id='fn-1204-15'> Zhao, F. (2012). Silks in the Sui, Tang, and Five Dynasties. In D. Kuhn, (Ed.), <em>Chinese Silks<\/em> (pp. 203-257). New Haven, CT: Yale University Press.<br> p. 227. <span class='footnotereverse'><a href='#fnref-1204-15'>&#8617;<\/a><\/span><\/li><li id='fn-1204-16'> \u201c\u5986\u82b1\u51e4\u620f\u7261\u4e39\u7eb9\u7eeb\u5939\u886b.\u201d [Silk twill damask phoenix peony patterned jacket <span class='footnotereverse'><a href='#fnref-1204-16'>&#8617;<\/a><\/span><\/li><li id='fn-1204-17'> Halbertsma-Herold, U. (2008). p. 202. <span class='footnotereverse'><a href='#fnref-1204-17'>&#8617;<\/a><\/span><\/li><li id='fn-1204-18'> &nbsp;Parent, M. N. (2001a). Hanpi \u534a\u81c2. <em>JAANUS: Japanese architecture and art net users system <\/em>(Dictionary). Retrieved from <a href=\"http:\/\/www.aisf.or.jp\/~jaanus\/deta\/h\/hanpi.htm\">http:\/\/www.aisf.or.jp\/~jaanus\/deta\/h\/hanpi.htm<\/a> <span class='footnotereverse'><a href='#fnref-1204-18'>&#8617;<\/a><\/span><\/li><li id='fn-1204-19'> See Appendix <a href=\"http:\/\/www.biblionalia.info\/leah\/download\/documentation\/Banbiv.2.pdf\">in the larger write-up<\/a> for more information on period textiles and tools. I&#8217;ll eventually make a new page for that information on the site, too. <span class='footnotereverse'><a href='#fnref-1204-19'>&#8617;<\/a><\/span><\/li><li id='fn-1204-20'> Confucius. (475 B.C.E. &#8211; 221 B.C.E.\/2018). <span class='footnotereverse'><a href='#fnref-1204-20'>&#8617;<\/a><\/span><\/li><li id='fn-1204-21'> <em>\u5c0f\u82b1\u83f1\u7eb9\u7f57\u5355\u8863\u7247<\/em>. (Part of an unlined shirt made of dupo leno with a damask pattern of small, ornamented lozenges). (Song Dynasty). (Garment). China National Silk Museum, Hangzhou, Zhejiang, China. Retrieved from: <a href=\"http:\/\/www.chinasilkmuseum.com\/zggd\/info_21.aspx?itemid=1831\">http:\/\/www.chinasilkmuseum.com\/zggd\/info_21.aspx?itemid=1831<\/a> <span class='footnotereverse'><a href='#fnref-1204-21'>&#8617;<\/a><\/span><\/li><li id='fn-1204-22'> <em>\u82b1\u5349\u7eb9\u7f57\u888d. <\/em>(Lined gauze robe with floral pattern). (Yuan Dynasty). (Garment). China National Silk Museum, Hangzhou, Zhejiang, China. Retrieved from: <a href=\"http:\/\/www.chinasilkmuseum.com\/zggd\/info_21.aspx?itemid=1852\">http:\/\/www.chinasilkmuseum.com\/zggd\/info_21.aspx?itemid=1852<\/a> <span class='footnotereverse'><a href='#fnref-1204-22'>&#8617;<\/a><\/span><\/li><li id='fn-1204-23'> <em>\u7ede\u7f2c\u7ee2\u8863<\/em>. (Pain weave silk clothing with tied knot dye pattern). (Northern Dynasty, 386-581). (Garment). China National Silk Museum, Hangzhou, Zhejiang, China. Retrieved from: <a href=\"http:\/\/www.chinasilkmuseum.com\/zggd\/info_21.aspx?itemid=1815\">http:\/\/www.chinasilkmuseum.com\/zggd\/info_21.aspx?itemid=1815<\/a> <span class='footnotereverse'><a href='#fnref-1204-23'>&#8617;<\/a><\/span><\/li><li id='fn-1204-24'> The Book of Rites is a compilation of the customs, administration, and rituals of the Zhou Dynasty (c.\u20091046 BCE\u2013256 BCE) written during the Warring States (475 BCE-221 BCE) through the Han Dynasty (206 BCE\u2013220 CE). <span class='footnotereverse'><a href='#fnref-1204-24'>&#8617;<\/a><\/span><\/li><li id='fn-1204-25'> Confucius. (475 B.C.E. &#8211; 221 B.C.E.\/2018) \u6df1\u8863 &#8211; Shen Yi. (J. Legge, Trans.). <em>Chinese Text Project<\/em>. Retrieved from: <a href=\"https:\/\/ctext.org\/liji\/shen-yi\">https:\/\/ctext.org\/liji\/shen-yi<\/a> <span class='footnotereverse'><a href='#fnref-1204-25'>&#8617;<\/a><\/span><\/li><li id='fn-1204-26'> \u201c\u5c0f\u82b1\u83f1\u7eb9\u7f57\u5355\u8863\u7247.\u201d (Part of an unlined shirt made of dupo leno with a damask pattern of small, ornamented lozenges). (Song Dynasty). (Garment). China National Silk Museum, Hangzhou, Zhejiang, China. Retrieved from: <a href=\"http:\/\/www.chinasilkmuseum.com\/zggd\/info_21.aspx?itemid=1831\">http:\/\/www.chinasilkmuseum.com\/zggd\/info_21.aspx?itemid=1831<\/a> <span class='footnotereverse'><a href='#fnref-1204-26'>&#8617;<\/a><\/span><\/li><li id='fn-1204-27'> Zhao, F. (2012). Silks in the Sui, Tang, and Five Dynasties. In D. Kuhn, (Ed.), <em>Chinese Silks<\/em> (pp. 203-257). New Haven, CT: Yale University Press. p. 227. <span class='footnotereverse'><a href='#fnref-1204-27'>&#8617;<\/a><\/span><\/li><li id='fn-1204-28'> Hu, J. (2011, April 11). Understanding hanfu aesthetics mathematically: Curves of a robe. (J. Yeung, Trans.). <em>Toronto Guqin Society<\/em>. Retrieved from: https:\/\/torguqin.wordpress.com\/2011\/04\/11\/hanfu-curves\/ <span class='footnotereverse'><a href='#fnref-1204-28'>&#8617;<\/a><\/span><\/li><li id='fn-1204-29'> Gao, S. &amp; Tian, M. (2015). Mathematics. In Lu, Y. (Ed.), <em>A history of Chinese science and technology <\/em>(Vol.1) (C. Qian, Trans.). Heidelberg: Springer. p. 249. <span class='footnotereverse'><a href='#fnref-1204-29'>&#8617;<\/a><\/span><\/li><li id='fn-1204-30'> Lee, K., Hong, N., &amp; Chang, S. (2005). <span class='footnotereverse'><a href='#fnref-1204-30'>&#8617;<\/a><\/span><\/li><li id='fn-1204-31'> Lee, K., Hong, N., &amp; Chang, S. (2005). <em>Traditional Korean costume. <\/em>(J. Shin, Trans.). Folkestone, Kent, United Kingdom: Global Oriental. pp. 22, 52-53. <span class='footnotereverse'><a href='#fnref-1204-31'>&#8617;<\/a><\/span><\/li><li id='fn-1204-32'> <em>Ibid<\/em>, p. 52. <span class='footnotereverse'><a href='#fnref-1204-32'>&#8617;<\/a><\/span><\/li><li id='fn-1204-33'> <em>Ibid<\/em>, p. 288. <span class='footnotereverse'><a href='#fnref-1204-33'>&#8617;<\/a><\/span><\/li><li id='fn-1204-34'> &nbsp;<em>Ibid<\/em>, p. 218. <span class='footnotereverse'><a href='#fnref-1204-34'>&#8617;<\/a><\/span><\/li><li id='fn-1204-35'> <em>Ibid<\/em>, p. 241. <span class='footnotereverse'><a href='#fnref-1204-35'>&#8617;<\/a><\/span><\/li><li id='fn-1204-36'> <em>Ibid<\/em>, p. 238 <span class='footnotereverse'><a href='#fnref-1204-36'>&#8617;<\/a><\/span><\/li><li id='fn-1204-37'> <em>Ibid<\/em>, p. 242. <span class='footnotereverse'><a href='#fnref-1204-37'>&#8617;<\/a><\/span><\/li><li id='fn-1204-38'> LLee, K., Hong, N., &amp; Chang, S. (2005). <em>Traditional Korean costume. <\/em>(J. Shin, Trans.). Folkestone, Kent, United Kingdom: Global Oriental. p. 52 <span class='footnotereverse'><a href='#fnref-1204-38'>&#8617;<\/a><\/span><\/li><li id='fn-1204-39'> For what we do know or can extrapolate, see Zhao F. (2004). <em>Liao Textiles and Costumes. <\/em>Hong Kong: Muwen Tang Fine Arts Publication Ltd. and Yong-i Y., Yeo-Kyung K., Su-jin S. (2016). <em>Chimeson: Korean Traditional Sewing.<\/em> Seoul: Korea Craft and Design Foundation. <span class='footnotereverse'><a href='#fnref-1204-39'>&#8617;<\/a><\/span><\/li><\/ol><\/div>","protected":false},"excerpt":{"rendered":"<p>This information is derived from a larger write-up I did for an A&amp;S Competition entry &#8211; you can read the final version of that entry in my documentation vault. I also made a short video about this project, which you can view on the Kingdom of Meridies&#8217;s YouTube channel. Banbi (\u534a\u81c2, b\u0103n-b\u012b) means \u201chalf-covered arm\u201d &hellip; <a href=\"http:\/\/www.biblionalia.info\/leah\/8-tang-dynasty-banbi-jacket\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;8: Tang Dynasty Banbi (\u534a\u81c2), Jacket&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false},"jetpack_shortlink":"https:\/\/wp.me\/P4eTPU-jq","jetpack_likes_enabled":true,"_links":{"self":[{"href":"http:\/\/www.biblionalia.info\/leah\/wp-json\/wp\/v2\/pages\/1204"}],"collection":[{"href":"http:\/\/www.biblionalia.info\/leah\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.biblionalia.info\/leah\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.biblionalia.info\/leah\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.biblionalia.info\/leah\/wp-json\/wp\/v2\/comments?post=1204"}],"version-history":[{"count":20,"href":"http:\/\/www.biblionalia.info\/leah\/wp-json\/wp\/v2\/pages\/1204\/revisions"}],"predecessor-version":[{"id":1403,"href":"http:\/\/www.biblionalia.info\/leah\/wp-json\/wp\/v2\/pages\/1204\/revisions\/1403"}],"wp:attachment":[{"href":"http:\/\/www.biblionalia.info\/leah\/wp-json\/wp\/v2\/media?parent=1204"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}