{"id":379,"date":"2019-03-01T08:28:38","date_gmt":"2019-03-01T14:28:38","guid":{"rendered":"http:\/\/www.biblionalia.info\/leah\/?p=379"},"modified":"2019-03-05T09:49:35","modified_gmt":"2019-03-05T15:49:35","slug":"debunking-the-hezi-qun","status":"publish","type":"post","link":"http:\/\/www.biblionalia.info\/leah\/blog\/2019\/03\/01\/debunking-the-hezi-qun\/","title":{"rendered":"Debunking the “Hezi-Qun”"},"content":{"rendered":"\n

I’ve been working on an overhaul of my garb documentation, which is turning into this massively long thing that will be my “handout” at <\/em>Known World Costume and Fiber<\/em><\/a>. I finished this section this week, and thought I should share it here. Enjoy!<\/em><\/p>\n\n\n\n

There is a popular theory in online hanfu communities, both predominantly Chinese-speaking and English-speaking, that the hezi \u00a0<\/em>(upper undergarment during the Tang Dynasty) <\/span>was worn so that it was visible. To support this there are three images that are usually pointed to as evidenece: the painting Court Ladies Wearing Flowered Headdresses<\/em>, attributed to Zhou Fang (c. 730\u2013800)<\/a>, the relief carvings and paintings of female attendants and musicians in the tomb of Wang Chuzhi (863-923)<\/a>, and murals from the Dunhuang Cave 61 (10th century)<\/a>.

EDIT: I recognize that these sources don’t fully fall within Tang, and are more likely Five Dynasties & Ten Kingdoms (though we don’t have solid date on when Court Ladies was painted), but since they are used to argue for a Tang Dynasty fashion\/item, I’m looking at them in that context. Fashion is, as we know, fluid. Thanks!<\/em>

The theory holds that the hezi <\/em>was worn either so that the skirt was tied so that the top was visible, or else worn on top of the skirt.
<\/p>\n\n\n\n

Before we look at the images, let’s take a moment to talk about the hezi<\/em>
in a more general sense. First of all, we don’t know a lot. We don’t have any extants. The only images we have are artistic renderings that all follow the same idea of a tube-shaped garment with a curved front neckline that stops at the hip and has some sort of band or tie under the bust. The two best sources I have been able to find for Chinese undergarments are Fantasy Beyond Body 1<\/a><\/sup> and Jamie Johns’s unofficial Fulbright blog about the history of breast binding in China. 2<\/a><\/sup> Johns looks at Chinese language sources on the history of Chinese undergarments and makes the same observation many of us have (which Fantasy Beyond Body is also indicative of) – the lack of solid citations. Fantasy Beyond Body at least will say where something was excavated from – most of the time. It doesn’t for the Tang garments it proposes.<\/p>\n\n\n\n

So there is a lot of speculation, which is probably why the Hezi-Qun theory got footing in the first place, spurred on, no doubt, by the fun costumes from Chinese historical dramas. <\/p>\n\n\n\n

\"The
But honestly? Even this screenshot of Zhang Ting as Consort Wei from the Empress of China looks like what some would say is the Hezi-Qun is just the band of her skirt. But that slight sweetheart neckline is … no. Sorry, Noble Consort. (And don’t get me started on the robe thing.)<\/figcaption><\/figure><\/div>\n\n\n\n

Advocates of the theory claim that the hezi <\/em>is a wide strip of cloth (based on images, approximately 5-6″ wide) that is worn on top of the skirt. A cloth tie is then tied on top of it to hide the border between the hezi and the skirt. But… based on how Tang Dynasty skirts are made…. why would you do this? Even some modern hanfu manufacturers attach this so-called hezi<\/em> to the skirt, effectively making it a decorative band. Then again, I have no idea how these skirts are constructed (I’ve never bought one to fiddle with), so I’m not sure what’s actually going on with the ties.<\/p>\n\n\n\n

We should also note, before going any further, that Johns discusses two different Chinese-language sources on her blog, both of which use the term \u4eb5\u8863 (xie yi<\/em>, \u201cobscene clothing\u201d) to refer to undergarments.3<\/a><\/sup> So the notion that such a intimate and taboo item of clothing would be worn in plain view doesn’t jive for me – not even during High Tang (c. 713-766) when the party was still going strong, women had unprecedented freedom of expression, and life was generally pretty swanky if you were an aristocrat. Also, all the example images are either from High Tang or after.<\/p>\n\n\n\n

Instead, I believe that what others are interpreting as a visible hezi<\/em> is rather an elaborately decorated, curved, or scalloped skirt band.<\/p>\n\n\n\n

Let’s look at some images.<\/p>\n\n\n\n

In Court Ladies Wearing Flowered Headdresses<\/em>, there is a clear seam line below the twisted skirt tie. The skirt tie sits on top of the band, and the seam appears to be between the band and the pleated skirt, thus dismissing the notion that the decorated and curved-edged skirt band is instead an undergarment.
<\/p>\n\n\n\n

\"\"\/<\/figure>\n\n\n\n

The placement of the skirt band is lower in the stone relief from Wang Chuzhi\u2019s tomb<\/a>, covering where this seam would be in some instances and falling below it in others. The skirt bands here are scalloped, and again, I see no evidence that they are separate garments worn on top of the skirt. They have been painted a different color, as has the band in a mural from the same tomb, but in the mural, the seam between the skirt and the band is obscured by the woman\u2019s hands and the bowl she carries, making this evidence inconclusive.
<\/p>\n\n\n\n

\"\"\/
Painted stone relief from Wang Chuzhi’s tomb. [Source<\/a>]<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"\/
Mural from Wang Chuzhi’s tomb. [Source]<\/a><\/figcaption><\/figure>\n\n\n\n

There are two poses the women on the southwestern and southeastern walls of Cave 61 at Dunhuang. Some women are holding offerings while others are not. Clear images of both are difficult to find online that are not reproductions or artistic renderings, and the image I was able to pull from the digital panorama of the cave is fuzzy. Still, the decorative band at the top of the skirt is visible on both the figures to the right in the first image, and I believe the lower tie on the figure wearing the phoenix crown is not her skirt tie, but additional ornamentation. It should also be noted that the two rightmost figures in the first image are (from left to right) the mother of a Cao Yuanzhong, King of Guiyi, and the Great Empress of Khotan and daughter of Cao Yinjin. Both of these women are part of the Guiyi royal family, a kingdom subordinate to the Tang and Northern Song Dynasties. 4<\/a><\/sup> 5<\/a><\/sup> We might be seeing some Khotanese influence in their clothing.<\/p>\n\n\n\n

\"\"\/
The southeastern wall of Cave 61. [Source]<\/a>
<\/a><\/figcaption><\/figure>\n\n\n\n
\"\"\/
Screenshot from the digital panoramic view of Cave 61, showing the attendant ladies to the donor\u2019s wife on the southwestern wall. [Source]<\/a><\/figcaption><\/figure><\/div>\n\n\n\n

Okay, so what IS the hezi<\/em>?<\/p>\n\n\n\n

After staring at extant garments from the Song and Yuan Dynasties and all the descriptions of the Tang Dynasty hezi <\/em>I can find, my best guess is that the hezi<\/em> was a tubular garment made of a heavier weight silk, 6<\/a><\/sup> potentially lined, 7<\/a><\/sup> and closed with buttons 8<\/a><\/sup>. No artistic rendering of the hezi<\/em> includes these buttons, but the <\/em>\u5408\u6b22\u895f (hehuanjin, <\/em>Yuan Dynasty) has “flower buttons” in the front 9<\/a><\/sup>. These may be more like frog and loop clasps than what we would think of as “buttons,” given that the buttons used to fasten the collars of round-collared robes are cloth with loops.<\/p>\n\n\n\n

Am I 100% right on this? Doubtfully. Am I going to try to make a hezi<\/em> with buttons and see how it works? You bet your bippy I am.<\/p>\n\n\n

<\/div>
  1. \u6f58\u5efa\u534e\u8457. (2005). \u4e91\u7f15\u5fc3\u8863 : \u4e2d\u56fd\u53e4\u4ee3\u5185\u8863\u6587\u5316. \u4e0a\u6d77: \u4e0a\u6d77\u53e4\u7c4d\u51fa\u7248\u793e. | Pan Jianhua zhu. (2005) Fantasy beyond body: the civilization of Chinese underwear in ancient times. Shanghai: Shanghai Ancient Books Publishing House. ISBN: 7532540944 ↩<\/a><\/span><\/li>
  2. Johns, J. (2010 Oct – 2010 Dec). We drive east.<\/em> WordPress. Retrieved from: https:\/\/wedriveeast.wordpress.com\/ ↩<\/a><\/span><\/li>
  3. Johns, J. (4 June 2011). \u201cChina\u2019s Disappearing Clothing.\u201d We drive east. WordPress. Retrieved from: https:\/\/wedriveeast.wordpress.com\/2011\/06\/04\/chinas-disappearing-clothing\/ ↩<\/a><\/span><\/li>
  4. \u201cMogao Grottoes Cave 061.\u201d Digital Dunhuang. Retrieved from: https:\/\/www.e-dunhuang.com\/cave\/10.0001\/0001.0001.0061 ↩<\/a><\/span><\/li>
  5. Liu Mu-Ching. (2013). \u201cReplication of four patroness on the mural of mogao grotto 61\u2019s southeastern wall.\u201d \u77f3\u7a9f\u85dd\u8853\u8207\u6578\u4f4d\u7281\u6280\u6574\u5408\u7814\u7a76\u8a08\u756b (The Study of the Integration of Grotto Art and Preservation). Retrieved from http:\/\/imlab.tw\/dunhuang\/en\/p22.html ↩<\/a><\/span><\/li>
  6. Johns, J. (4 June 2011). \u201cChina\u2019s Disappearing Clothing.\u201d We drive east. WordPress. Retrieved from: https:\/\/wedriveeast.wordpress.com\/2011\/06\/04\/chinas-disappearing-clothing\/ ↩<\/a><\/span><\/li>
  7. \u6f58\u5efa\u534e\u8457. (2005). \u4e91\u7f15\u5fc3\u8863 : \u4e2d\u56fd\u53e4\u4ee3\u5185\u8863\u6587\u5316. \u4e0a\u6d77: \u4e0a\u6d77\u53e4\u7c4d\u51fa\u7248\u793e. | Pan Jianhua zhu. (2005) Fantasy beyond body: the civilization of Chinese underwear in ancient times. Shanghai: Shanghai Ancient Books Publishing House. pp. 2-3 ↩<\/a><\/span><\/li>
  8. \u6f58\u5efa\u534e\u8457. (2005). \u4e91\u7f15\u5fc3\u8863 : \u4e2d\u56fd\u53e4\u4ee3\u5185\u8863\u6587\u5316. \u4e0a\u6d77: \u4e0a\u6d77\u53e4\u7c4d\u51fa\u7248\u793e. | Pan Jianhua zhu. (2005) Fantasy beyond body: the civilization of Chinese underwear in ancient times. Shanghai: Shanghai Ancient Books Publishing House. p. 17 ↩<\/a><\/span><\/li>
  9. \u6f58\u5efa\u534e\u8457. (2005). \u4e91\u7f15\u5fc3\u8863 : \u4e2d\u56fd\u53e4\u4ee3\u5185\u8863\u6587\u5316. \u4e0a\u6d77: \u4e0a\u6d77\u53e4\u7c4d\u51fa\u7248\u793e. | Pan Jianhua zhu. (2005) Fantasy beyond body: the civilization of Chinese underwear in ancient times. Shanghai: Shanghai Ancient Books Publishing House. p. 17 ↩<\/a><\/span><\/li><\/ol><\/div>","protected":false},"excerpt":{"rendered":"

    I’ve been working on an overhaul of my garb documentation, which is turning into this massively long thing that will be my “handout” at Known World Costume and Fiber. I finished this section this week, and thought I should share it here. Enjoy! There is a popular theory in online hanfu communities, both predominantly Chinese-speaking … Continue reading “Debunking the “Hezi-Qun””<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false},"categories":[23,79,92],"tags":[93,24],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4eTPU-67","jetpack_likes_enabled":true,"_links":{"self":[{"href":"http:\/\/www.biblionalia.info\/leah\/wp-json\/wp\/v2\/posts\/379"}],"collection":[{"href":"http:\/\/www.biblionalia.info\/leah\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.biblionalia.info\/leah\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.biblionalia.info\/leah\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.biblionalia.info\/leah\/wp-json\/wp\/v2\/comments?post=379"}],"version-history":[{"count":8,"href":"http:\/\/www.biblionalia.info\/leah\/wp-json\/wp\/v2\/posts\/379\/revisions"}],"predecessor-version":[{"id":402,"href":"http:\/\/www.biblionalia.info\/leah\/wp-json\/wp\/v2\/posts\/379\/revisions\/402"}],"wp:attachment":[{"href":"http:\/\/www.biblionalia.info\/leah\/wp-json\/wp\/v2\/media?parent=379"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.biblionalia.info\/leah\/wp-json\/wp\/v2\/categories?post=379"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.biblionalia.info\/leah\/wp-json\/wp\/v2\/tags?post=379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}