Identifying the materials used in medieval illuminated manuscripts gives us an insight into the techniques and skills of the scribes and illuminators, as well as the sometimes complex trade routes of the times.
Spectroscopy + Illuminated Manuscripts = Super Fun Science Time!
The Art of Illumination: The Limbourg Brothers and the Belles Heures of Jean de France, Duc de Berry
Husband, Timothy Bates, with an essay by Margaret Lawson (2008)
(Sorry – I just did a binge-watch of all The Librarian movies to gear myself up for the TV show. Every time he announced, “I’m The Librarian,” I giggled.)
OKAY SO.
To start, how about the The Codex Assemanianus?
It was probably 10th century, but it’s still cool. You can read more about it here [link], and there are two pages of scans from it [link] [link]. Quite a few of these pages would be really easy to translate into SCA awards. I might do a few blanks myself for our current blank drive… Here are a couple of my favorites:
f. 157v
f. 10r
</p></But if we want to be firmly in the 11th Century, how about the Ostromir Gospels? These date to 1056-7. You can find more info at the National Library of Russia [link]. I’ve known scribes who have used this. That is, looking at it, I’m going “OH HEY. This is what so-and-so used!” Have a sample:
f. 2r
Lastly, there is the Arkhangelsk Gospel, also know as the Archangel Gospel, which dates to 1092, making it the fourth oldest Slavic manuscript we have. You can view the whole thing online at the Russia State Library [link].
Have fun browsing!
the second of the Towers I did, and my least favourite of them. again, drew it like five, six times in the course of a day and a half.
A while back, I asked the scareferencedesk for any illumination references with towers they knew of, and I promised to post them after they all got handed out. Well, it is definitely not in a timely manner, but they’ve all been handed out! I added some of the other designs I’ve done so it’s not so architecture heavy. I also added the Red Tower Rapier Champion scroll which was a group project. Mistress Adela did the calligraphy then curse because she left too much space (while the rest of us are laughing at how small she wrote), and then handed it to me and told me to draw a thing in the empty space. So, yay, weird little medieval person! I totally snagged the Knight Marshal on his way past the table and was like “SWORDS. HOW DOES THE HAND GUARD THINGY EVEN.” And luckily he spoke internet at 1am because he answered what I meant. The whole scroll totally was finished five minutes before evening Court, and we’re counting it as a major victory that it was dry. And then like a week later we had to ask if Wistric would send us pictures so we could keep track of the things we made. Veronica and I are still in the track our progress through photos of all the things we make stage.
Yay! So happy to see them! 😀 Also, Combat Scribing is awesome.
Beginner and veteran transcribers, this app is available for free, on both Android and iOS devices. Manuscript database, basic info on each of them, typography galore…
The origins of this app lie in online exercises in palaeography developed for postgraduate students in the Institute for Medieval Studies at the University of Leeds in West Yorkshire, U.K. The aim is to provide practice in the transcription of a wide range of medieval hands, from the twelfth to the late fifteenth century.