Do you have any resources on building early period Norse helms starting with a premade helm top?

Greetings!

I don’t have any, but I reached out to some armorer-friends, and they suggested the following:

There is an SCA Armor Facebook group [Link] which you may find helpful.

A lot depends on what you’re starting with and what tools/skills you have.

Some armorers also make kits – pre-cut pieces that you assemble and fit [Example].

Hope that helps get you started. <3

Helms

What type of helm should I look for as a 14th century English fighter or 12ty century Norman for heavy fighting?

Anonymous

I had to reach out to some martial types for this answer.

Master Sir Edwin AtteBridge says, “Twelfth century, the famous “norman” conical helm with nasal that we’re all officially wearing in the SCA. 14th century generally bascinet, although kettle hat is also appropriate (but less popular because of SCA handicaps). Inbetween, slowly-evovling “barrel” or “bucket” helms. Basically they took the norman design, started adding a faceplate and covering more of the head, simplifying the construction while they were at it, and when they were done realized that the pointed top they had started with was a better design and went back to an improved version of it. The 13th century is full of dead ends like that.”

Norman Conical Helm

Wikipedia entry: [link] –

be sure to look at the Notes and External Links

Bascinet

“Spotlight: The 14th Century Bascinet”
by Alexi Goranov
MyArmory.com: [link]

Wikipedia entry: [link] – be sure to look at the Notes and External Links

image

Image from the Wallace Collection: [link]Visored bascinet
Unknown Artist / Maker
Milan, Italyc. 1390 – c. 1410
Low-carbon steel, air-cooled, copper alloy and leather
Height: 26 cm
Width: 37.4 cm, beak to back of skull
Weight: 2.005 kg, without visor
Weight: 0.82 kg, visor
Weight: 1.24 kg, aventail
Label: Royal Archaeological Society label marked 25 in ink
A69European Armoury I

Is what’s popularly referred to as an “Irish overdress” actually Irish? Where did we learn it from, and how did it become such a generic faire/SCA staple?

I reached out the the SCA Garb group on Facebook for more information about the Irish Overdress and a little bit of an SCA History lesson.

First of all, the proper name for the “Irish overdress” is a Shinrone gown, which dates from the 16th century. Reconstructing History has a pattern [link].

Some of the bits of the history lesson are quoted below. I have removed names, since the group is closed.

“’Irish Overdress’ was a RenFaire misinterpretation of some of Lucas De Heere’s prints of Irish Women which was adopted and stuck because there was so little to go on and so little research into Irish clothing. The Shinrone gown has some similarities in appearance but is of a much more complicated construction.”

image

One such print by Lucas De Heere.

image

Shinrone gown

Lady Sorcha Dhocair inghean Ui Ruairc’s packed on Irish women’s garb: [link]

A note on drawstrings and pleated sleeves as relates to the leine: [link]

The Honourable Baroness Ceara Shionnach of Burbage House’s information on Irish clothing: [link]
I feel it is important to mention that the “history lesson” part of the discussion included points that one should wear what makes one comfortable, how the SCA culture has changed in regard to authenticity, and not scary new people away. If you want to throw together some garb that can do double duty at RenFaires and SCA, or if you’re trying to stock your Gold Key with something quick and easy, then the “Irish Overdress” that’s available in commercial patterns easily found at your local craft store will work. If you want to portray a 16th century Irish woman, maybe do some more research.

Then again, I like research.

Go forth and discover! <3

Hey, I was wondering if you could recommend resources on Chinese textiles? I’m making both Song and Ming dynasty outfits and I want to make sure the brocade we want is accurate, but I can’t seem to find anything on the patterns.

Oh boy, DO I.

Chinese textile designs, by Hanyu Gao
1992
WorldCat (find it in a library near you!)

When silk was gold : Central Asian and Chinese textiles, by  James C Y Watt et al
Metropolitan Museum of Art
1997
WorldCat

Corpus of Chinese Fabric, Embroidery and Finery: Dying & Weaving
Corpus of Chinese Fabric, Embroidery and Finery: Embroidery
2004
Published by 

Tianjin People’s Fine Arts Publishing House
Library of Congress (all volumes)

Treasures in silk : an illustrated history of Chinese textiles, by 

Feng Zhao
1999
WorldCat

Chinese textiles, by 
Yueh-Siang Chang
Victoria and Albert Museum
2010

WorldCat

History of textile technology of ancient China, by 

Weiji Cheng
1992
WorldCat

Exquisite fabrics : traditional weaving and embroidery patterns in China, by Chunming Gao
2010
WorldCat

Chinese Silks, by Dieter Kuhn, et al.
2012
WorldCat

Additionally, please join us over at SCA China on Facebook. We’re great at sharing resources.Happy hunting! <3

Names of Jews in Medieval Navarre (13th–14th centuries)

Names of Jews in Medieval Navarre (13th–14th centuries)

falnfenix:

mszombi:

changan-moon:

Traditional Chinese hanfu in Tang dynasty style | 齐胸襦裙qí xiōng rú qún (Chest-high ruqun) | Photo by 霜序映画

Oooh, I’ve never seen a plus size woman in hanfu, she looks beautiful!

hey @scareferencedesk

Maybe not modern hanfu, but being “plus size” was a major awesome thing in the Tang Dynasty.

How strictly enforced is the Rule of Tincture and/or can you give me advice on whether my idea for personal arms is acceptable?

In the SCA? Very.

[EDIT: Herald buddy says – “there ARE corollaries to the rules so we need to judge items on a case by case basis to take all of them into account.”]

I can certainly look at your idea and give you some advice. I can also reach out to the SCA Heraldry Chat Facebook group and get thoughts/input from them.

Let me know what you’d like to do. I’m happy to lend a hand.

<3,
Your Friendly Neighborhood SCA Reference Librarian
(Who isn’t a herald but knows some pretty awesome ones)

thegetty:

Illuminated manuscripts were products of encounter, exchange, and exploration in the Middle Ages.

Interested in the Global Middle Ages? This weekend, April 16 and 17, come by our free interdisciplinary symposium that examines artists, patrons, and audiences as agents who desired real, imagined, or exotic representations and narratives about the world and its peoples. 


These artworks are currently on view in Traversing the Globe through Illuminated Manuscripts at the Getty Center through June 26. 

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This belongs to you. Fabris’s Sienza d’Arme, the best rapier book ever, yours free.

This belongs to you. Fabris’s Sienza d’Arme, the best rapier book ever, yours free.