Writing Documentation: Step Four, The Writing

It’s been awhile between posts in this series. Let’s summarize a bit, shall we?

Step One: You have a basic understanding of how to put communicate ideas and concepts in writing.

Step Two: You researched a Thing – who did the Thing, how they did the Thing, what the Thing was for, etc.

Step Three: You did the Thing, taking notes and pictures along the way.

Now you’re ready to share the Thing with others, which means writing up Documentation about the Thing – whether it’s meant to be printed out and sit alongside the Thing in a fair/competition/display or be published on your blog/website.

Getting Started

Documentation can be basic and brief, or it can be long and thorough. I tend to lean toward the latter when I sit down to write documentation. (Notes on the back of scrolls are a little different – I simply cite whatever extant I used as inspiration, the folio, date, and holding institution and call it good – but if I were to enter a C&I piece into a fair/competition, I would do a full write-up. Here’s a scribal-specific template!)

Try your very, very best no to wait until the night before an event to write/finish your documentation. This is the same advice you got when you were told not to wait until the night before to do your homework/write that research paper/etc. For a myriad of reasons, it’s best to get things done with ample time for editing, review, and printing physical copies. I’ve done the late-night dash to a Kinkos the night before an event I traveled several hours to in order to print off my documentation – it’s not a fun dash.

Gather up all your notes, files, pictures, etc. before you start writing. This is where the notebooks, or digital tools like Google Drive or Evernote can come in handy.

Let’s get to it!

Continue reading “Writing Documentation: Step Four, The Writing”

“Tracing is Period”

A couple of months ago, I threw myself (is there any other way?) into researching period tracing techniques for Western Europe. We talk about how “tracing is period” but generally, the conversation stops there. This was a fun little rabbit hole for me, and someday I’ll trek back down it and try to make my own tracing paper. Though I doubt my husband will be a fan of me spreading fish glue on granite until it is thick enough to make paper…

You can see my handout here: Tracing is Period: A Discussion of Techniques used to Reproduce Art in Medieval Europe

I decided to post today because 1), new handout, and 2) I’m TRACING!

Working on f. 10v of The Second Bible of Charles the Bald, 871-877.
Working on f. 10v of The Second Bible of Charles the Bald, 871-877.

Continue reading ““Tracing is Period””

dear reference desk how does one go about officially registering their name with the sca? do you have to provide documentation no matter the name or only if it’s “uncommon”? how do you define an uncommon name?

Dear Anonymous,

Officially registering a name is super awesome, so first of all – rock on you for doing it.

To register a name, you will go through your Kingdom’s College of Heralds. You can usually find it on your kingdom’s website, or by searching “<kingdom name> heralds” in Google. There is a form you fill out with basic information, the name you want, and your documentation.

So yes. Yes you have to have documentation. Even if your name is John or Katherine.

A lot of documentation for “common” names can be found on the SCA College of Arms website.

Heraldry/name registration isn’t really a magical, lost art form that requires animal sacrifice and perfectly drawn chalk diagrams. It’s just rule-following, forms, and documentation.

Happy registering! <3

Pen and parchment : drawing in the Middle Ages / Melanie Holcomb ; with contributions by Lisa Bessette, Barbara Drake Boehm, Evelyn M. Cohen, Kathryn Gerry, Ludovico V. Geymonat, Aden Kumler, Lawrence Nees, William Noel, Wendy A. Stein, Faith Wallis, Karl Whittington, Elizabeth Williams, and Nancy Wu :: Metropolitan Museum of Art Publications

Pen and parchment : drawing in the Middle Ages / Melanie Holcomb ; with contributions by Lisa Bessette, Barbara Drake Boehm, Evelyn M. Cohen, Kathryn Gerry, Ludovico V. Geymonat, Aden Kumler, Lawrence Nees, William Noel, Wendy A. Stein, Faith Wallis, Karl Whittington, Elizabeth Williams, and Nancy Wu :: Metropolitan Museum of Art Publications

I have seen a couple of references for 15th Century triple hennins. Nothing reliable. Can you see if you can find any reliable references for this? Thank you!

Greetings!

Okay, so to start, these are pretty fun. They look like starfish!

image

A wild hennin has appeared!

Ahem.

I looked in Google Books for henins*, and the only references to the “triple-horned” variety seemed sketchy – meaning they didn’t have citations.  it looks like the origin of this image and concept is from a variety of ladies journals from the 1880s. Yay Victorian myths about 15th century clothing.

But just in case, I reached out to a newly-minted Laurel who is known for her hats. She didn’t know of anything, nor could she find any solid research for this type of hat.

Sorry. 🙁

It looks like we’ll have to keep looking for ideas for 15th century Staryu cosplay.

*Google Book is a great place to start research, by the by, since it searches the full text of a book, whether you can see those scanned pages or not. It helps you refine terms and points you toward possible sources. I kind of adore it.

My hat is off to you as you continue your research into fancy headgear.

Okay, so dear reference guru, how even would I start trying to research and date kumihimo braid patterns to find some that are period? I mean, the basic spiral pattern is pretty safe because I can easily do it similar on lucet, but Japan, man. Halp?

Oh goodness! <3 Flattery!

Yeah, research into East Asia is difficult because of the language barrier – and that’s just the beginning.  Japan should be a little easier than China, though.

So with my initial Google searching, I found this website with a variety of publications written in both Japanese and English, which may be helpful.

My next step would be to look at museum collections.

The Tokyo National Museum has a 14th century pouch that has braided cord: [Link].

The Portland Art Museum had (at one point) an exhibit on Samurai that featured some kumihimo. They cite a book, but also feel free to reach out to the curators for more information: [Link]

Don’t limit yourself to the search term “kumihimo.” It’s translated most often as “braided cord” so don’t be afraid of using that term, especially in western museum collections.

Lastly, connect with other SCAdians who do Japanese crafts. There is a Facebook group for SCA Japanese, so someone there might be able to help.

Happy braiding! <3

Do you have any resources on building early period Norse helms starting with a premade helm top?

Greetings!

I don’t have any, but I reached out to some armorer-friends, and they suggested the following:

There is an SCA Armor Facebook group [Link] which you may find helpful.

A lot depends on what you’re starting with and what tools/skills you have.

Some armorers also make kits – pre-cut pieces that you assemble and fit [Example].

Hope that helps get you started. <3

zacharielaughingalonewithsalad:

audsbot:

jewishzevran:

grandenchanterfiona:

I want a high fantasy movie where everyone talks with Southern US accents instead of British ones.

The Dwarves though, they can get Minnesotan accents.

ok but picture this: elves with brooklyn accents

“Hey HEY I’m castin’ here, what’d’you – listen, my pop and I serve the Great Tree goin’ back six hundred fuckin’ years so if you got a problem with our fuckin’ magic you don’t fuckin’ come down here into our fuckin’ grove to gimme shit about it.

“Right? You don’t see me fuckin’ goin’ into your shitty man-stables and tellin’ you how to milk horses, do ya? So instead you come down here, disrespect me, disrespect my pa, and how ‘bout you stop fuckin’ disrespectin’ the Great Fuckin’ Tree that grew whens’t the world was young and carries all our fates ‘n its boughs, okay?

“I said, ‘okay?’

“Okay, now fuck off.”

“Oh, ya, my clan’s been mining these ranges for 500 years, real nice place, real friendly. We make a mean hot dish, too, don’t cha know”

“Now, see, our main export may be iron, but y’see, we’re also the home of one of the modern wonders of merchantry and architecture…. THE GREAT DWARVEN BAZAAR. Four subterranean levels, all shops, biggest in the land! Full of tourists but we’re all here for a good time and we’re all for boostin’ the local economy!”

Have at it, my Dear Silly Scadian Shenanigan-Schemers.